Imagineers ARE Storytellers: An Excerpt from TELL YOUR STORY THE WALT DISNEY WORLD WAY

Most of Tell Your Story the Walt Disney World Way is written in a fictional voice, but there is a single chapter that’s not part of the story, where I try to explain why I wrote this book and what I learned from writing it. The following excerpt is from the “Author’s Afterword”.

Imagineers ARE Storytellers

Writing this book has given me a new and better understanding of the idea that “Imagineers are storytellers”.

If I’m being completely honest, before I started to work on this book, I admit I used to roll my eyes a bit every time I’d see or hear the phrase “Imagineers are storytellers.” I just felt that that phrase overly simplified what the Imagineers do, and was too cliched to be of real value in terms of understanding what Imagineering is all about. However, in researching and writing this book, looking more closely at the principles of the Imagineering Pyramid as tools for communication, I’ve come to see things differently, and have a new perspective on that somewhat overused adage. In fact, I’ve come to believe that “Imagineers are Storytellers” is a very apt phrase that succinctly encapsulates what the Imagineers do.

In The Imagineering Pyramid, I wrote about that while story has been the “essential organizing principle” of Imagineering since its earliest days during the design of Disneyland, the idea that “Imagineers are storytellers” is a more modern one, born during Michael Eisner’s tenure as CEO and chairman of The Walt Disney Company, and promoted by the Disney company in blogs and videos. I also noted that many Disney park fans felt like I did, that to say “Imagineers are storytellers” overly simplifies what WDI does, and that some of the original Imagineers, primarily Marc Davis, didn’t consider themselves storytellers at all. None of that has changed. What’s changed is my perspective.

When you look closely at what the Imagineers do, you find that the heart of Imagineering is effective communication. The Imagineers use a variety of tools, techniques, and disciplines to convey specific ideas and experiences to their audience. Whether it be the idea of “pirates of the Caribbean”, or the experience of riding on “the wildest ride in the wilderness”, or of walking down the Main Street in turn-of-the-century America, the Imagineers use their Imagineering toolbox to create environments and attractions that communicate these ideas and experiences to their audience through sight, sound, touch, and even smell, along the way bringing characters and settings to life.

What’s another name for the ideas and experiences the Imagineers create? Stories. Not necessarily stories in the traditional sense of a fleshed-out, linear narrative with a plot, characters, and a beginning, middle, and end, but they’re stories nonetheless. For the Imagineers, “story” is just an elegant shorthand way of saying “the core idea or premise that underlies each attraction, land, or venue”, so when we talk about the Imagineers “telling a story”, what we really mean is that they’re communicating an idea.

What are the tools and techniques the Imagineers use to communicate their ideas? They include the principles described in this book, each of which tells a part of the story. For example wienies grab the audience’s attention, long, medium, and close shots help draw the audience into the story, forced perspective helps them not overwhelm the audience, attention to detail and theming provide for a consistent story experience, pre-shows prepare the audience for what they’re about to see, “read”-ability helps the audience understand what they’re seeing, post-shows help reinforce what the audience experienced, kinetics keep the environments active and dynamic, hidden Mickeys help engage the audience, and the “it’s a small world” effect makes sure the audience remembers what they’ve experienced. All of these (and more) help create the experience the Imagineers want for the audience and help them tell their story.

To put this more simply:

Imagineers communicate ideas and experiences.

Those ideas and experiences are stories.

Imagineers use a specific set tools and techniques to communicate their ideas and experiences – to tell their stories.

Imagineers ARE storytellers. I’m convinced.

Excerpt from TELL YOUR STORY THE WALT DISNEY WORLD WAY

In TELL YOUR STORY THE WALT DISNEY WORLD WAY, a group of friends take a tour of the Magic Kingdom led by a former Imagineer who shows them how the Imagineers tell their stories. Below is an excerpt from when the characters in the book first see Cinderella Castle:

“Plus, we saw the castle the other night at dinner, from the restaurant on the top of our resort,” Mark added. “So it’s not like we’ve never seen it.”

“Maybe you’ve seen it from a distance, but believe me,” said Jay, “until you see it up close and in person, you haven’t really seen it. Now, to do this right, let’s all walk out to the center of the street, but try not to look at the castle until we stop walking. Look straight ahead, towards the Emporium—that shop on the corner—and then turn to your right to face the castle.”

They did as Jay had suggested, walking the twenty feet or so from where they were standing out to the middle of Main Street, keeping their eyes in front of them. They stopped, and heard Jay say “Okay, now” and they all turned to face the castle.

Off in the distance, beyond the far end of the street and on the other side of a large open plaza stood an enormous castle, towering over the park. The castle walls were light grey-blue, and it sported multiple towers with dark royal blue turrets that stretched into the sky. Between them and the castle they could see dozens and dozens and dozens of other guests making their way towards the castle and the rest of the park. They were too far away to catch much more in terms of detail, but that didn’t hinder the impact seeing the castle had on Mark, Kim, and the rest of them.

“Woah,” was all Mark could say, as he stared at the castle off in the distance.

Kim drew in a sharp breath as her eyes focused on the castle.

“It really is pretty cool,” said Brent.

“Really cool,” echoed Alison.

“This never gets old,” said Judi. “One of my favorite sites in all of Disney World.”

Mark spoke again, now that he could find his words. “I thought you were being overly dramatic about the whole ‘proper reveal’ thing, but I get it. It’s really….”

“…awesome,” finished Kim.

“Like I said, until you see it up close and in person, you haven’t really seen it,” Jay replied. “And we’ll see a lot more of it as we get closer. Cinderella Castle was here on opening day in October 1971” Jay said, switching back to the same tour guide voice he’d used earlier. “It’s one of the most recognizable images in the world, and is also considered the Magic Kingdom’s ‘icon’, and serves as an icon for the entire Walt Disney World resort.

“The castle is home to Cinderella’s Royal Table, one of the most popular restaurants at Walt Disney World. Interesting bit of trivia about the restaurant. When the park first opened in 1971, the restaurant was called ‘King Stephan’s Banquet Hall’ but the thing is, King Stephan is Sleeping Beauty’s father in Sleeping Beauty. That confused lots of guests over the years, and I’ve never heard an ‘official’ explanation for the original name. One story I’ve heard is that the Imagineers wanted a royal and regal sounding name for the restaurant, but since Cinderella’s father isn’t named in the movie, they used King Stephan instead. I guess they figured no one would notice? Seems unlikely given how passionate most Disney fans are, but who knows for sure. It took until 1997 before they renamed the restaurant to Cinderella’s Royal Table.”

“That’s the only explanation I’ve ever heard as well,” said Judi, “and I’ve asked multiple people over the years.”

“The castle also has a luxury suite in its upper floors that was used a prize in a promotional campaign a few years ago. And there’s also a shop in the castle called the Bibbidi Bobbidi Boutique, where…”

“You mean like the song from Cinderella the movie?” interrupted Alison.

“That’s right. It’s a shop where kids can get a princess or prince makeover. We’ll get a closer look at that when we go inside the castle breezeway. The castle is also used as a backdrop and ‘screen’ for nighttime spectaculars and fireworks shows like the current show Happily Ever After.”

“Speaking of, we’re going to watch that from the Tomorrowland Terrace tonight” added Judi. “We’re doing the desert party. I thought that would be a good way to end the first day here. The kids should be meeting us for dinner and then we’ll head there for desert. And if you think the castle is amazing during the day, just wait.”

“So, the castle is cool and all, but what about these other ways the Imagineers tell their stories you mentioned? You said Cinderella Castle was a good way to show them, so what are they?” asked Kim, emphasizing her use of the correct name this time.

“Let me ask you something,” said Jay. “What is the first thing you thought about doing when you first saw the castle?”

“To move closer to see more,” replied Brent.

“Yeah,” said Kim, “I want to go check it out up close and go inside.”

Jay looked at Alison and Mark, who both nodded their heads.

“And that is exactly what the Imagineers want you to feel. When the Imagineers tell their stories, they attract the audience’s attention and capture their interest. That impulse to see more is at the heart of one of the principles I was talking about—something Walt and the Imagineers call ‘wienies’.”